runpunkrun: richie tenenbaum with a shaved head and sunglasses, text: let's fuck this up (let's fuck this up)
([personal profile] runpunkrun Jul. 10th, 2025 11:30 am)
Once upon a time, I watched the first five seasons of Dexter and then stopped for whatever reason. Recently I saw it was on Netflix and thought I should finally finish the series and I might as well start at the beginning so as to maximize the amount of time I could spend not having to think about anything else in the world except for what a selfish asshole Dexter is and how much I love Deb.

Previously on Dexter...

Spoilers for the series )
In paperback, this makes a thick graphic novel worthy of the name. The greyscale art is simple but expressive, and you quickly get a feel for Mags and her Abuela and their small desert town near Joshua Tree. Mag's childhood friend is back in town with her cowboy boots and pinhole camera and stirring up feelings that Mags can't let herself have because she's tied to her home and the secret in the basement that's bleeding her dry.

A tender story about learning to love yourself so you can accept the love others have for you. The art's limited use of color highlights childhood memories and photographs, but comes out in full force for the happy ending.

Contains: butch/transfem romance; death of a grandparent; and, separate from the romance: infidelity, stalking, emotional manipulation, threats of suicide, gun violence.
runpunkrun: john sheppard and teyla emmagan in uniform and standing in a rocky streambed (hold the stillness exactly before us)
([personal profile] runpunkrun Jul. 7th, 2025 08:50 am)
a dragonfly
unable to settle
on the grass
     -1690

Translation by Jane Reichhold.

俳句 )
Photograph with added text: Working Together, at Fancake. Workers in India use wide wooden paddles with long handles to shove a huge yard of drying grains into big piles. The grain, most likely rice, is a beautiful golden color, and there's a mix of western and traditional clothing among the seven men and women.
[community profile] fancake's theme for July is Working Together!

If you have any questions about this theme, or the comm, come talk to me!
One of those thrillers that splits the narrative between two women—both twenty years old, working at the same grubby motel and living in the same apartment, one in 1982 and the other in 2017 trying to solve the mystery of the first one's disappearance—and their stories run so parallel they're basically interchangeable and you start wondering if maybe the author should have only told the story once. It certainly would have cut down on the amount of clunky exposition and awkward dialogue.

The thrills were not thrilling, but the mystery might have been interesting if we weren't getting it from both ends. As it is, not worth the time.

Contains: References to rape, domestic abuse, and child death; descriptions of dead bodies; ghosts.
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