yhlee: a stylized fox's head and the Roman numeral IX (nine / 9) (hxx ninefox)
([personal profile] yhlee Sep. 24th, 2025 09:32 pm)


Candle Arc #1, color version, at [community profile] candlearc just to keep it corralled. Note that it's viewer discretion advised on account of cuss words, violence, and hexarchate-typical awfulness.

UPDATED: Alternately: Candle Arc #1 on its own website at Candle Arc (candlearc.com).

I have the Ka-Blam setup in progress so fingers crossed I can make it available via print-on-demand at Indyplanet in the nebulous future, depending on how orchestration homework is going. /o\

Preview & update notifications at Buttondown. (This is an email newsletter, but it's archived online. You do not need to sign up.)
Another Ana and Din mystery. It was fine! But, like the first book, it lacked charisma. I'd put it down fully intending to pick it back up again once I'd eaten dinner or brushed my teeth or ensured the kitten wasn't quietly unravelling the fabric of the universe, but once I got back I'd do literally anything but pick it up again, sometimes leaving the actual book open next to me while I played hours of picross, watched trashy documentaries on Netflix, or read articles I'd had languishing in open tabs for months.

The world is interesting, but the main characters still aren't doing it for me. Like the first book, I was more intrigued by the secondary characters. Here, the warden Malo with her brash confidence, traumatic past, and uncertain future, and in the last book, the investigator who was better with a sword than a notebook and whom I'd inadvertently—and with absolutely no encouragement from the text—pictured as Gimli from The Lord of The Rings movies. Din, in many ways, reads as a means to an end, a recording device more than a fully developed person with his own voice and thoughts, and Ana, well, I figured out what she was before Din, but that's not saying much.

Contains: smoking (especially as a form of self-medication); hereditary enslavement; descriptions of violence and dead bodies; body horror.
runpunkrun: the king of all cosmos' pea-sized prince (katamari damashii)
([personal profile] runpunkrun Sep. 21st, 2025 09:22 am)
Like many things this year, my Japanese study has been greatly reduced by time and circumstance. In January I stopped doing my daily work on WaniKani (where I'd reached Level 9) and KaniWani but kept up with my lessons on Duolingo. Much of my vocabulary has slipped away from me, but the grammar persists, and the vocabulary's easy to look up, so I'm not that bad off, and I can pick WaniKani back up whenever I want because I have a lifetime subscription. I'm just gonna be SUPER BEHIND when I do. ウヘッ。


Volume 4

Describe a wedding | Make plans to go out

Vol 4 )
runpunkrun: chibi james t kirk making finger guns with the pansexual flag behind him (fun seeking pansexual)
([personal profile] runpunkrun Sep. 20th, 2025 11:28 am)
ALSO, long time no see, but I've been quiet because I've been WRITING. Stay tuned for Kirk & Spock bonding in their shared bathroom.
Set in a place that is probably not Earth, or Earth at a very different time, where kaiju rise up out of the ocean during the wet season and head for land. In the Empire, the Engineers maintain the sea walls that keep the leviathans out; the Legion fight them back; the Apothetikals develop organic means to alter the plants and animals—and people—that make it possible to survive in this hostile land, and the Iudex investigate the crimes. The wet season's coming and Dinios Kol, Imperial engraver and (apprentice) assistant investigator, has been sent to the scene of a ghastly murder to engrave it in his memory and report back to his master, the reclusive and eccentric (and possibly autistic) Anagosa Dolabra.

This is a plot-driven mystery, more focused on the details of the investigation than the development of the characters, and for me that made it feel a little empty. The ad copy wants you to believe Din and Ana have a Watson and Holmes thing going on, but that is barely the case. The characters are mostly a means to an end, a collection of characteristics rather than actual people, and this includes our first person narrator, Din. He's a nervous little (queer) guy, basically, only tall, did he mention he's tall?? He's tall, gang. And dyslexic. I liked him well enough, but I never felt like I really knew what he was about.

The book has a fantasy science-fiction vibe, and a bunch of new guys, like whenever RJB needed to explain a crime he just invented a new type of guy. It was starting to feel a little silly. Like, "Oh, didn't you know about this type of guy? It's the only way this mystery makes sense!" I don't think the mystery is the kind that can be solved just by paying attention, rather it's the kind with an extensive drawing room scene near the end that explains it all.

And I guess I've been reading exactly the right amount of Adrian Tchaikovsky because I kept wondering what was up with the leviathans, like what's their deal? Has anybody bothered to ask why they want to come on land? Maybe it's part of their life cycle, maybe there's something there they need—but this is not that book. It's a fantasy murder mystery set in the middle of a seasonal kaiju attack that must be stopped, and that's fine, it's just one more way the story lacked depth. But the mystery and the world building were enough to keep me engaged, and I'm curious to see what happens next so I've already checked the sequel out from the library.

Contains: body horror; a lot of blood; fear of contagion; sword violence.
yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Sep. 19th, 2025 07:19 am)
Ah, the art yarn of it all. :3

handspun yarn

2-ply from these singles:

Round Fifteen of [community profile] smallfandombang | Small Fandoms Bang, the big bang for small fandoms, is open for Author Sign-Ups!

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yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Sep. 16th, 2025 04:02 am)
behold, a spammer

A particularly hilarious example of low-effort spammer/scammer.

Seriously considering how much spam I could effortlessly screen out if I set up my email to automatically delete ANYTHING with the word "Amazon" in it that isn't on a very small (like, a half-dozen people small) whitelist of family and close friends.

ETA #1 (2025-09-23): Ah, more spammers. Let's now add automatic deletion of ANYTHING with the word "Goodreads" in it as well! Blissful quiet.
(cross-posted: [community profile] communal_creators)

earlier:
- part 0: preliminaries
- part 1: brief demo: engraving software (Dorico)



Brief walkthrough of the start of a fake piano sketch in Cubase Pro that I'll build into a hybrid orchestral piece using MIDI and VSTs. I don't claim this is good music, just something for demonstration purposes and to talk through some of the technical details. This is musically unexciting but covering DAW basics will make the later hybrid orchestra bits easier to understand, hypothetically.

(Sorry, the audio recorded in mono; I will look at my audio interface settings again.)

For those curious about my usual style(s) of music, my music reel.
(cross-posted to [community profile] communal_creators)

Earlier:
- part 0: preliminaries (includes partial glossary of terms)



I know there are a lot of people who haaaaaate being forced to sit through video but since audio playback is inherent to the enterprise...This is under a minute, promise.

This is a brief demonstration of the opening of one of my compositions partially engraved (~sheet music typesetting) in Dorico. The two industry-standard engraving apps in media composition scoring are Dorico and Sibelius; Finale used to be a third but was sunsetted to much consternation.

If you come from classical music (especially classical orchestral music), you may be ??? about the score formatting. This is because scores for session orchestra and concert/classical orchestra have different formatting! (See part 0: preliminaries for more detail as to why). Differences for session orchestra you see here include:

- Score is in C (NOT a transposing score for the conductor - nota bene, transposing is "allowed" for octaves), but we won't have e.g. horn in F or trumpet in Bb. Read more... )

As for playback:

- Guess what, Dorico and Sibelius at the level of orchestral scores are spendy. :]

- I'm using NotePerformer, which is the standard higher-quality playback engine, especially if you don't have time to mock it up in the DAW (or you're an art/concert composer for whom a mockup is not part of your workflow). But that's also money (~$130 USD).

NotePerformer is pretty credible with a lot of orchestral instruments. You still have to massage its output. For example, in Sibelius [not shown] you can set playback to molto espressivo (LOTS OF FEELING) vs. senza espressivo (NO FEELINGS EVER!!!) (etc). My experience is that particular instruments can be less "real"-sounding and the "vocalists" (both SATB choir and associated "solo" voices) are absolutely terrible, as in "my vacuum cleaner sings more credibly than this" terrible.

Aside: There are some good vocal VST libraries for specific use cases. I hate that I am often able to straight-up identify "Oh yeah, XYZ floating ethereal ~Celtic Twilight vibes soprano 'ahhh' ululation in this trailer/score/whatever was $SPECIFIC_VST_LIBRARY" because, apparently, I have no life; but this is not unusual in this field.

I know at least one full-time composer/orchestrator/musician who straight-up bounces NotePerformer output and then processes that in the DAW (reverb etc) and, you know, this person makes a living doing this. So that's one route one can take.

Why, you ask, can't we just export this score-stuff into a DAW with all the fancy (...spendy) VST instruments and "paste in" nicer/more individualized instruments? Dorico (and Sibelius) do in fact export to MIDI and MusicXML. [1] This is a very reasonable question that will be the topic of the next walkthrough (part 2), mainly because it's a surprisingly (annoying) complicated topic as to why this is rarely straightforward. (Let me tell you all about negative track delay...)

[1] Missed these glossary items earlier! brief explanations of MIDI and MusicXML )

Happy to answer questions, although I have no idea if anyone else finds this interesting. :p
yhlee: Alto clef and whole note (middle C). (Default)
([personal profile] yhlee Sep. 13th, 2025 01:04 pm)


Dreaming Robots' Electric Eel Wheel 6.1 e-spinner with some sacrificial Rambouillet/Gotland wool blend. Sorry about the mess; too hot to go outside with this. I don't claim this is good spinning, just a brief demonstration of Getting The E-Spinner To Do A Thing.


Ashford Traveller (single treadle although you can see that, Scotch tension). Spinning mulberry (bombyx) silk from combed top.
.